Amorette Muzingo is an interdisciplinary artist, educator, and critical bed theorist native to Los Angeles. Her work addresses themes of grief, intimacy, beds, and the subjective/objective experiences in lived spaces.
Amorette has had her visual work on display in galleries in Los Angeles (Roberts Art Gallery, UCLA Sculpture Gallery, One One Six Two, Academy LA, Stevenson Blanche, Goes To Ocean), San Francisco (Diego Rivera Gallery), and New York (T.A.G. Gallery). Her writing has been published in Woman Journal, Vol. 1, SWAMP, Strip Mall Magazine, Open Assembly, Gelée, Currant Jam, Issue No. 6, High Femme, everyone is a girl, and Performance Art Museum. Amorette’s master's thesis, Critical Bed Theory: Experimental Contemplations of Intimacy, is now a self-published book available for purchase.
She received her BA Cum Laude from UCLA with a major in Art History and a minor in Visual and Performing Arts Education in 2016 and an MA from CalArts in Aesthetics & Politics in 2024. Amorette currently works for the VIP Americas team at Frieze, co-curates at Jolly Gallery, and tries to get at least 7 hours of sleep each night.